Potsherds and the Production Technology of Early Neolithic Pottery from the Sveti Mihovil Site near Bale

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Very fertile soil, the relative proximity of the maritime coast, and multiple sources of potable water in the Bale area allowed human communities of the Neolithic period to settle here and utilise the natural resources for their subsistence and development. Two minor locations used during different Neolithic periods have thus far been identified in the surrounding area and the immediate proximity of Bale: the Sveti Mihovil hill and the Mušego elevation. Archaeological excavation has been performed at the Sveti Mihovil site on three occasions: in 1992/93, 2006, and in 2007. On this hill, which dominates the area from Vodnjan to Rovinj, we find the remains of a Bronze Age hillfort settlement and the medieval ruins of a Benedictine
monastery.

Recorded among the excavated archaeological material were multiple
Neolithic period potsherds. Of interest here are potsherds exhibiting the typical incised and impressed motifs characteristic of the early Neolithic Impressed Ware culture period of the eastern Adriatic coast. These recovered potsherds are from the classical phase that is significant in the terminal period of the Adriatic Impressed Ware culture. The potsherds from the Sveti Mihovil site indicate that this location likely constituted a small outlying settlement of Neolithic livestock breeders that was connected with a central settlement located in the fertile flatlands of the Bale area. This catalogue analyses and presents some of the early Neolithic potsherds of the Impressed Ware culture on the Istrian peninsula recovered at the Sveti Mihovil site near Bale during the archaeological investigative work of 2006 and 2007.

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The most proximate parallels of early Neolithic Impressed Ware potsherds recovered at sites in Istria

Sherds of the pottery of the early Neolithic Impressed Ware culture of the eastern Adriatic (ca 5750 to 5500 BCE) have been recovered at multiple sites on the Istrian peninsula, both in open spaces and in caves. These are Vižula and Vrčevan in Medulin, Kargadur near Ližnjan, Debeljak on the Kamenjak cape (Premantura),Ribarska koliba and Veli Vrh in Pula, Šandalja near Pula, Vrčin near Vodnjan, Stancija Cecilija near Vodnjan, the Ljubićeva cave in the Marčana area, Vela gromača near Kavran, the Pradišelski cape near Pavičini, Mušego near Rovinj, Šeraja near the Lim inlet, Sveti Mihovil near Bale and the Jačmica cave in the northeast of the Istrian
peninsula (Fig. 1). In most cases these are sites at which chance finds were made or a small quantity of early Neolithic Impressed Ware pottery was found. Notable as proper single-strata sites of greater or lesser area are Vižula near Medulin, Vrčevan near Medulin, Veli Vrh near Pula, Debeljak on the Kamenjak cape (Premantura), Vela gromača near Kavran and Stancija Cecilija near Vodnjan. There are also sites at which, along with a documented early Neolithic Impressed Ware culture presence, we also see material from the middle Neolithic (Danilo culture), and
the late Neolithic (Hvar culture), these being Kargadur near Ližnjan, the Ljubićeva cave near Marčana, Sveti Mihovil near Bale, and the Pradišelski cape near Pavičini.
We find more distant analogues at cave sites on the Cres and Lošinj islands, and at numerous sites in open areas and in caves in the Dalmatia region, where rich finds were discovered of potsherds characteristic of the early Neolithic period or Impressed Ware culture, dated from 6000 to 5800 and as late as 5500 BCE. About 5500 BCE we see the dawn of the Danilo culture period on the eastern shores of the Adriatic. Based on the ceramic material we see that, at some of the sites on the Istrian peninsula, albeit very briefly, the Impressed Ware cultural tradition endured parallel to the initial phase of the Danilo culture.

1 Satellite image showing the distribution of early Neolithic sites on the Istrian peninsula

Sites in open areas
Sub-hillfort sites
Cave sites Early
Neolithic cultural strata discovered in the foundations of Bronze Age tumuli

1) Sveti Mihovil (San Michele); 2) Mušego (Monsego); 3) Stancija Cecilija (Stanzia Cecilia); 4) Vrčin (Monte Orsino); 5) Vižula (Isola del Vescovo); 6) Kargadur (Carigador/Lisignano); 7) Vrčevan (Vercivan); 8) Debeljak; 9) Ribarska koliba (Capanna del Pescatore); 10) Šandalja (San Daniele); 11) Veli vrh (Montegrande), 12) Ljubićeva pećina; 13) Vela gromača; 14) Pradišelski rt (Punta Pradisel); 15) Nezakcij (Nesazio / Nesactium); 16) Šeraja (Serraio); 17) Jačmica

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Neolithic potsherds - ceramic ware production, shaping, and use


The sherds of early Neolithic pottery recovered at the Sveti Mihovil site for the most part are indistinct parts of the bodies of vessels (Catalogue, Figs. 1, 3–9), while only two small sherds are useful in a partial reconstruction of the appearance of the vessel on the basis of the upper parts of the rim and body, or a part of the base of the vessel (Catalogue, Figs. 2, 10). Based on the thickness of the vessel body wall sherds we can to some extent posit the type and form of the vessel in question. These sherds from the Sveti Mihovil site are from small vessels and small and medium sized pots. The potters of the early Neolithic community at the Sveti Mihovil site produced small quantities of ware for their own use. They used clay or natural sediment from local sources for the production of ceramic ware.

The potters of Neolithic homesteads utilised three techniques to build and shape their vessels. The pinching (pinch pot) method was used to make small vessels with oval or round and flat bases, such as small pots and bowls. Mid-sized vessels (pots and bowls) were made by building up coils or rings of clay in order to shape simple asymmetrical vessels of soft profile having an oval, globular, or hemispherical form (Fig. 2). The third technique involved building up clay ribbons or strips to create large vessels such as large pots of oval, globular, and hemispherical form (Figs. 3, 4a)

Fig. 2 Illustration showing the handmade production and shaping of mid-sized Neolithic ware using the technique of building up coils or rings of clay and the rough smoothing of the outer and inner surfaces of vessels.

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Fig. 3 Illustration showing the handmade production and shaping of large Neolithic ware using the technique of building up strips or ribbons of clay.

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Fig. 4a A reconstruction of the process of the shaping of the surface of Neolithic ceramic ware prior to decoration and prior to firing.

  Fig. 4b An open fire or outdoor fire pit following the firing of ceramic ware

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Early Neolithic pottery decoration techniques


The early Neolithic potters of the Sveti Mihovil site used two primary techniques in their decoration; impressing and incising, and a combination of two decoration techniques: incising and stabbing. Most early Neolithic sherds were from ware decorated using the technique of impressing an orderly decorative zigzag motif using the edge of a smooth shell (Catalogue, Figs. 3, 4, 6, 8, 9). On some of the sherds from the Sveti Mihovil site we observe an irregular zigzag motif impressed with the smooth edge of a shell (Catalogues, Fig. 1, 7, 10). On one potsherd we see the orderly incision of multiple decorative zones consisting of three oblique sets of parallel incised lines; the size of the potsherd precludes a determination of whether this was a geometric motif (Catalogue, Fig. 5) of the kind we find in the Dalmatia region from the late phase of the Impressed Ware culture. Notable among the early Neolithic ceramic material from the Sveti Mihovil site is a rim and body sherd with a decorative motif on the outer surface done using a combination of the impressed, possibly stabbed, and incised decoration techniques (Catalogue, Fig. 2). The motif consists of one horizontal series of dots stabbed or impressed with the tip of a shell or some type of tool, below which we see five horizontal zones of pairs of incised lines. Running off the lowest, fifth zone, are oblique series of decorative zones consisting of five vertical incised lines. This motif exhibits significant similarity with the decorative scheme seen on a potsherd from the early Neolithic Vižula site that is decorated with a combination of impressions using the back of small shells and the technique of incising orderly lines..

Fig. 5 Drawings showing the forms and decorative techniques found among the early Neolithic ware

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Firing methods, surface colour, and firing atmosphere of early Neolithic pottery


The surfaces of the potsherds exhibit for the most part a coarse texture, with evident signs that the potter further worked the surface of the vessel to achieve a degree of smoothing. Only on three of the sherds do we see further partial rubbing of the surface of ceramic vessels prior to drying and decoration. The surface of the vessels following firing largely varies from dark brown to light brown to reddish colour, largely contingent on the firing method, atmosphere, and temperature. In the Neolithic period most ceramic ware was fired in simple fires or fire pits in the open, or directly on a hearth set on an earthen surface (Fig. 4b), as a consequence of which the potter had no further impact on the firing process and atmosphere. The only partial intervention of the potter in the firing process and temperature was to add wood fuel during firing. The process of firing ware in simple fires or fire pits may have lasted about ten to twelve hours, with the cooling of the vessels taking from a few hours to two to three days. Depending on the length of the cooling period or the process of smoke firing, and the reduction of exposure to air, ceramic ware that remained covered by ash experienced a change in surface colour, which transitioned to a darker shade. During firing the temperature in a fire pit ranged from 450 to 750 °C (in some extreme conditions, when a fire is open to wind, it may reach 850 ºC). Various firing atmospheres form in these conditions, which can be identified by the core colour (when viewing the section) and the surface of potsherds. Thus, the sherds of early Neolithic pottery from the Sveti Mihovil site for the most part exhibit incomplete oxidation firing, reduction firing, uncontrolled firing, and, to a somewhat lesser extent, oxidation firing.


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The uses of early Neolithic ceramic ware

Biomolecular lipid analysis has not yet been performed for the early Neolithic period potsherds recovered on the Istrian peninsula, but we do find the nearest analogues in the Dalmatia region, where the results of biomolecular analyses of the inside surfaces of some early Neolithic potsherds identified traces of soup cooking and residues of milk proteins and cheese. Based on these results we can posit that the early Neolithic ceramic ware from the Sveti Mihovil site, and from other sites in Istria, may have been used for a variety of purposes depending on their form and size. Early Neolithic ware of small dimensions—small bowls and pots, may have been used when eating and to drink various liquids (water, animal meat broths, milk, dairy products, honey), and for use in ritual and magical and health purposes (the production of medicinal preparations, and the fats or oils of various plants). Mid-sized and large ceramic vessels (pots and bowls) may have been used for cooking vegetable and meat-based soups and broths, to hold water or milk, for the production of dairy products such as cheese and yoghurt, and to store gathered seasonal berries, semi-wild cereals, and later cultivated cereals.

Conclusion


We can postulate the presence of an early Neolithic community at the site on the Sveti Mihovil elevation near Bale that kept small ruminants (sheep and, to a lesser extent, goats) during pasturing. This settlement was likely closely connected to a possible central settlement in the fertile lowland part of the area surrounding what is now Bale. The early Neolithic potters at the Sveti Mihovil site manufactured small quantities of ceramic ware largely satisfying the needs of their community. To make the ware they used for the most part raw materials from their immediate vicinity, such as natural clay sediment or broken and crushed limestone and water, of which there were sufficient sources in the area surrounding the Sveti Mihovil site.

The production technology, shaping, decoration, and the firing method and firing atmosphere are consistent with the ceramic material recovered at other sites on the Istrian peninsula and elsewhere along the eastern Adriatic seaboard. There are also similarities in the use of the ware, which has been well established by the results of biomolecular analyses of the inside surfaces of early Neolithic ware from some of the sites in the Dalmatia region, which identified traces of milk and cheese proteins, fats of animal origin, and residues of various plants, resin, or honey on individual potsherds.

 

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CATALOGUE

 

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1. Sveti Mihovil near Bale; 2007; Sector I; Trench Ia; Quadrant D4; SU (stratigraphic unit) I; depth: 0.10 m.
Potsherd.
P-31965
Dimensions: H: 2.3 cm, W: 2.8 cm, thickness at body: 0.8 cm, weight: 5.98 g.
Body sherd, handmade, decorated ceramic ware

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2. Sveti Mihovil near Bale; 2007; Sector I; Trench Ia; Quadrant B5; SU IIIa; depth: 0.70–0.90 m.

Potsherd.
P-31947
Dimensions: H: 7 cm, W: 5.5 cm, thickness at body: 0.55–0.6 cm, rim thickness: 0.57 cm, weight: 29.27 g.
Rim and body sherd, handmade, decorated ceramic ware.

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3. Sveti Mihovil near Bale; 2007; Sector I; Trench Ia; Quadrant D4; SU IIIa-IIIb; depth: 0.70–0.95 m.
Potsherd.
P-31964
Dimensions: H: 2.9 cm, W: 2.3 cm, thickness at body: 1 cm, weight: 7.85 g.
Body sherd, handmade, decorated ceramic ware.

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4. Sveti Mihovil near Bale; 2007; Sector I; Trench Ia; Quadrant D4; SU IIIa-IIId; depth: 0.70–1.45 m.
Potsherd.
P-61315
Dimensions: H: 5.3, W: 5.5 cm, thickness at body: 0.8 cm, weight: 23.90 g.
Body sherd, handmade, decorated ceramic ware
.

 

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5. Sveti Mihovil near Bale; 2006; Sector I; Trench I; Quadrant D1; SU IIIc; depth: 0.95–1.20 m.
Potsherd.
P-61132
Dimensions: H: 2.8 cm, W: 2.2 cm, thickness at body: 0.8 cm, weight: 6 g.
Body sherd, handmade, decorated ceramic ware.

(copy 1)

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6. Sveti Mihovil near Bale; 2006; Sector I; Trench I; Quadrant D1; SU IIIc; depth: 0.95–1.20 m.
Potsherd.
P-61133
Dimensions: H: 2.7 cm, W: 4 cm, thickness at body: 0.9 cm, weight: 11 g.
Potsherd, handmade, decorated ceramic ware.

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7. Sveti Mihovil near Bale; 2006; Sector I; Trench I; Quadrant C2; SU IIIb-c; depth: 0.90–1.20 m.

Potsherd.
P-61169
Dimensions: H: 3.5 cm, W: 3.4 cm, thickness at body: 0.6–0.8 cm, weight: 11 g.
Lower body sherd, handmade, decorated ceramic ware


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8. Sveti Mihovil near Bale; 2006; Sector I; Trench I; Quadrant A2; SU IIIa; depth: 0.70–0.90 m.
Potsherd.
P-61175
Dimensions: H: 2.2 cm, W: 3.5 cm, thickness at body: 0.5 cm, weight: 3 g.
Body sherd, handmade, decorated ceramic ware.


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9. Sveti Mihovil near Bale; 2006; Sector I; Trench I; Quadrant C2; SU III; depth: 0.50–0.70 m.
Potsherd.
P-61178
Dimensions: H: 1.9 cm, W: 1.8 cm, thickness at body: 0.4 cm, weight: 0.3 g.
Body sherd, handmade, decorated ceramic ware


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10. Sveti Mihovil near Bale; 2007; Sector I; Trench
Ia; Quadrant C5; SU III; depth: 0.50–0.70 m.
Potsherd.
P-61216
Dimensions: H: 3.5–3.6 cm, W: 3.6 cm, thickness
at body: 1 cm, weight: 18 g.
Lower body sherd, handmade, decorated
ceramic ware



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Potsherds and the Production Technology of
Early Neolithic Pottery from the Sveti Mihovil Site near Bale

Exhibition
Carrarina 4,
Window to the Past
23.01. – 21. 05. 2024.


                     Exhibition and text author: Romuald Zlatunić

Organizer and publisher: Archaeological Museum of Istria

For the organizer and publisher: Darko Komšo

Editorial Board: Darko Komšo, Adriana Gri Štorga, Katarina Zenzerović

Set up & graphic design: Vjeran Juhas

Drawings: Ivo Juričić, Romuald Zlatunić

Photographs: Vjeran Juhas

Translation in Italian: Elis Barbalich-Geromella

English translation: Neven Ferenčić

Croatian language editor: Milena Špigić

Proofs: Giulia Codacci-Terlević, Adriana Gri Štorga, Milena Špigić

Print: MPS Pula

Print run: 500

Pula, 2024.

Typo3 site by Ulisys d.o.o. , 2010.